Images in this series of 24 monotype prints represent an old Yup'ik
story about the return of our traditional healers. It is the story
of the spiritual return of the shaman.
I was told by my Yup'ik elders and believe that, "The spirits
of our healers will return, and when they do, they will be more
powerful and aware than ever before."
Each monotype is printed on Rives BFK white and hand-made paper.
Paper size, 15’’ x 24 1/4’’. Printed at Crow's Shadow Institute
of the Arts.
What the Various Elements Mean
Though the arrangements of the images in this series vary, they all contain
the same elements, and they all use elements that have traditional
meaning to the Yup'ik people.
- The small window represents a view into a traditional dwelling
with forms representing people calling to the healers
to come home.
- The traditional design in this image represents a spiritual
eye and gathering place combined to give a sense of looking through
time.
- The landscape image in this piece represents the Kuskokwim
mountains (my home land) and the reflection of the mountains
in the water.
- The image holding the piece cloth are the spirits
of the Angalkuq (shaman) returning to heal the people and the
lands.
- The red piece of cloth was used during the Sun dance ceremony
and was gifted to the artist. The red cloth honors the sacrifice
of healers for the land and for the people.
- The outside parts
of the shaman are burned to represent what other religions have
done to our traditional healers and to the elders of my grandparent’s
generation (elders of my grandparents generation were burned
with candles to force conversion into Christianity).
- The red in the
shaman represents the giving of blood by our healers to restore
the blood and life force taken from both the land and the people.